Mariners ArtsNight - by Jill Kimball for Classical KING FM

Recent work, 2015 edition

After a few years working in the arts, I’ve stopped thinking in terms of the calendar year. To me, the year begins in September and ends in May, rising and falling in tandem with the concert seasons I follow closely. The months in between are for projects, parties, and pontificating. Even though my life is about to change big time, I think September will always feel like a new beginning to me.

While the holidays (aka the summer months) are in full swing and we edge ever closer to New Year’s Eve (Labor Day weekend), I thought I’d do a year in review of sorts.

If there’s one word I can apply to the last year of my life, it’s “busy.” In the 2014-15 concert season, I juggled one and a half jobs, three ensembles within Seattle Pro Musica, service on a board, and lots of time with friends. I have a lot to show for my hard work, including a wide variety of writing, graphics, and fully realized ideas.

 

A THINK PIECE

Morlot, Mix-A-Lot, and music’s future
I shared my thoughts on Sir Mix-A-Lot’s controversial joint concert with the Seattle Symphony.

 

MULTIMEDIA PREVIEWS

Backstage at PNB’s last Stowell/Sendak ‘Nutcracker’
I took my phone and two cameras with me backstage during a matinee performance of Pacific Northwest Ballet’s Nutcracker. This was a special Christmas at PNB, as the company announced this would be its last year staging the ballet with the unique Kent Stowell choreography and Maurice Sendak sets.

At SIFF 2015, follow the music
Each spring, the Seattle International Film Festival sorts its films by genre. Quite a few delve into the topic of classical music. I did a roundup of movies about, or featuring, classical music for KING FM.

 

LISTICLES

13 Seattle concerts you should attend at least once
For about a year now, I’ve been attending monthly NPR Analytics meetings. I’ve used these to check in on the digital state of NPR affiliate stations, but I also use them for creative inspiration. In a round-up of some of June’s most popular NPR stories, the meeting panelists mentioned the popularity of the classic “bucket list” article. I thought, hey, I can do that for KING FM! And so I did.

5 Facts about Jean Sibelius
The Seattle Symphony celebrated Sibelius’ 150th anniversary with a month of his music, then we did a marathon broadcast of all those concerts. I thought I’d get to know the composer a little better.

31 Facts about Mozart
Every January, KING FM creates a 31 Days of Mozart Channel, where we play nonstop Mozart for an entire month. I wrote this listicle to promote the channel.

 

SOME ALBUM REVIEWS

Nordic Affect: Clockworking
Last week, I listened to some blissful Icelandic music that lands somewhere between Sigur Rós and avant garde.

Gabriel Kahane: The Ambassador
While I interned at Palo Alto Weekly in 2008, I was lucky enough to chat with pianist Jeffrey Kahane while he was in town for the Music@Menlo Festival. Seven years later, I reviewed this album by his genre-defying singer-songwriter son, and along the way I got a fascinating glimpse into the history of Los Angeles.

Maya Beiser: Uncovered
An edgy cellist with East-meets-West roots deconstructed her favorite classic rock songs on this album. In researching and reading the liner notes, I think I learned more about classic rock than I did about the cello.

Julia Wolfe: Steel Hammer
One of New York City’s top composers generated a lot of buzz with a modern requiem for John Henry, the fictional steel driver who became an American folk hero. I loved the beautiful vocals by Trio Mediæval.

A Far Cry: Dreams & Prayers
This was a small, young orchestra’s feverish attempt at conveying the spiritual meaning of performing together.

The Knights: the ground beneath our feet
This Brooklyn-based chamber ensemble’s lighter-than-air exploration of the concerto grosso form spanned centuries of music, from Bach to the present day.

Missy Mazzoli: Vespers for a New Dark Age
My favorite feminist composer turned a religious rite, the vesper service, into a secular art form more fitting for the 21st century.

 

INTERVIEWS

A Talk with Anonymous 4
My 13-year-old self, newly obsessed with choral music, squealed the whole time.

Eight questions for the King’s Singers
Um…ditto.

Derek Bermel’s Death with Interruptions
I previewed a world premiere set to kick off the Seattle Chamber Music Festival.

 

 

The Book City

Even if you’re not attending the current AWP conference, and even if you’re not a writer, hop on over to The Stranger’s article about the average Seattle resident’s penchant for reading…and hanging out in places where reading material is purchased.

From the article:

Part of the reason I moved to Seattle from the East Coast was for the rain and the clouds. There’s nothing more annoying than the pang of guilt that comes unbidden when you choose to stay inside with a good book on a beautiful spring day. With its relentless cloud cover, Seattle minimizes the opportunity for that kind of guilt. In fact, it rewards people for reading and writing, which is part of the reason our city always hovers near the top of those (admittedly somewhat arbitrary) “most literate city” polls that circulate around the internet every year or so.

Whether we’re literate because it’s raining or the rainy climate naturally attracts bookworms, it’s a fact: Seattle loves to read, and it always has.

Elliott_Bay_Books_(Capitol_Hill)_interior_pano_01

Ever since my dad read novels to me at bedtime (Goodnight Moon got old fast, so we moved on to Watership Down), I grew up with my nose buried in a book. I started with classics, including the Nancy Drew series and Philip Pullman’s His Dark Materials trilogy. My childhood guilty pleasures included Animorphs and Sweet Valley High.

In high school, between the engrossing Harry Potter books, I devoured science fiction, fantasy, period literature and more, still discovering my literary tastes. During the week, I sat in English class wondering why in hell The Odyssey got top billing over The Aeneid in my classroom and a million others, while on the weekends I happily made my way through the 850 pages of Bleak House.

Then, in college, I discovered the wonder of contemporary fiction and its endless possibilities. There was nothing better than studying, discussing and writing about the books I would have read at home anyway.

Today, I miss the discussions and the feedback. Sometimes I convince a friend to read a book with me so we can get into lively debates like we did in college. In the last year, among other things, I’ve marveled at the Dickensian parallels in A Fine Balance, I’ve dissed Eugenides’ self-indulgent latest effort, I’ve read Zadie Smith at her best and her worst, and I’ve made it halfway through Colum McCann‘s canon.

It’s heartwarming to be reminded that I’ve done all this in a city full of like-minded folk, that I bought these books at some of the best book-buying institutions in the country…and that there’s so much more to discover.

phi beta kappa key pin

The liberal arts factor

Some stereotypes are true. Most journalists, for example, possess thick skins, feel less empathy than the average person, don’t beat around the bush and enjoy the challenge of digging for well-hidden information.

Journalists are also notorious workaholics: their jobs follow them home, on vacation, to the gym, wherever they go. Reporters will pick up their phones in the middle of the night, on their wedding days and at funerals if the newsroom calls. Over the last few years, I’ve seen my peers and coworkers drop everything for a scoop. They’ve bailed on dates, classes, exams and parties to meet deadline or go the extra mile on a story. And although I believe hard work pays off–anyone who knows me can attest to that– I haven’t always supported their decision to skip out on everything else.

phi beta kappa key pin

I’m proud of my PBK key!

It’s true that getting good at one’s chosen profession requires focus, especially in journalism. But must focus translate to tunnel vision?

I remember some fellow students who pulled 50, 60, 70 hour weeks at the student newspaper. The work they did was incredible and invaluable. But their choice to work overtime for no extra pay was also a choice to skip classes, skim important reading and earn a degree with barely passing grades and nothing but minimum graduation requirements. Many of them told me they believed years of hands-on work experience was the most important (or the only) thing future employers wanted to see on resumes.

Like them, I made time for real-world experience. I had five summer internships, three of which were unpaid. I spent most of my college years working full time at the student newspaper, though my stipend covered less than half my rent. I always answered calls from my sources, even when they came at inappropriate times while I was in inopportune locations. I arrived at work too early and stayed too late. I put my life in danger to drive to work during a snowstorm. I left my own birthday party to investigate a mysterious death. (I don’t regret these decisions, but I don’t think I would make the same ones if I were to repeat my four years of school.)

I made all these sacrifices, but most of the time, I maintained much-needed separations between work, play and academics. While I took tens of electives outside my journalism classes, learned another language, contemplated a second minor and had the time of my life writing a thesis, my student newspaper colleagues were crashing on the newsroom couch and plotting how they might avoid their foreign language requirements. When we were all off the clock, my coworkers went home, reviewed notes on their steno pads and listened to the police scanner over a beer; I went to choir rehearsal, attended a play or read a novel. When I shared my hobbies and weekend plans with them, they stared with blank faces and went right back to their work.

I was, and still am, shocked at journalists’ blasé attitude toward non-news pursuits I consider important: a liberal arts education, cultural enrichment, a variety of personal relationships. I was relieved to leave the world of newspaper journalism and find a new company full of people with quirky hobbies, unique passions and different perspectives. These days, I have coworkers who appreciate my ongoing efforts to learn more and stay well rounded.

But these days, a well-rounded resume seems to be undervalued–and I think that’s a mistake on the part of employers. When I consider the leg up I had in stories that required a fundamental knowledge of history, literature or science, I wonder whether my laser-focused journalism colleagues were able to cover the story as thoroughly without a liberal arts education. I think about the friendships and relationships I maintain and wonder, when I’m having fun at a festival or a picnic, whether my old coworkers are still slaving away in the newsroom. When I absorb myself in choir rehearsal and forget about bills, task lists and arguments, I can’t believe underpaid cub reporters my age can cope without a hobby that provides an emotional escape from the stresses of adult life.

Perhaps the decision to broaden my knowledge base communicated a lack of pure journalistic commitment to some of the newspaper editors who saw my resume. But if a love for many things at once is wrong, I don’t want to be right.

Seattle institutions

Lately, my deskmates and I can’t converse without getting hungry.

It all started last week, when I solicited a coworker’s advice on where to get great seafood in Seattle. My parents are in town this weekend and are looking forward to eating wild Alaskan salmon, said to be some of the best in the world. They wanted something good, not too fancy and quintessentially Seattle.

Well, my coworker said, what’s more quintessentially Seattle than Ivar’s? It’s best known for the “Acres of Clams” sign ferry riders see on their way in and out of Seattle, but another location in Fremont specializes in salmon and overlooks Lake Union. It was settled.

Days later, we discussed where in South Lake Union we’d eat lunch to send off the winter-term news intern. Most of the South Lake Union neighborhood was purely industrial just a few years ago, but then came a connection to downtown and several biotech companies. And in 2007, when Amazon announced it would move its headquarters there, out went the decrepit warehouses and in went the upscale cafes, LEED-certified condo buildings and trendy restaurants. Most eateries are so new they haven’t yet established themselves among residents or Amazonians.

But when Dahlia Lounge and Serious Pie moved into a building on Westlake Avenue, their reputations preceded them. The owner, Tom Douglas, is a well-known and critically-acclaimed restaurateur here and already found a following at his eateries in Belltown. We concluded that Tom Douglas is, arguably, a Seattle institution.

Amid all this food talk was discussion about what makes something “quintessentially Seattle.” It’s tricky, because Seattle is a city of neighborhoods; one neighborhood might call a popular hangout a Seattle institution even though residents in another neighborhood haven’t even heard of it. Places like Kidd Valley, Buckley’s and La Toulouse Petit make up my impression of Seattle, but that’s because they’re all within two blocks of my apartment in Lower Queen Anne. For others, Mama’s Mexican Kitchen, Espresso Vivace or Bauhaus might sum up Seattle best.

There are a number of factors in what makes a true, city-wide Seattle institution. For one, it must be a citywide chain (see: Dick’s, Molly Moon’s) or it must be fabulous enough for locals and tourists alike to make the cross-town trip to visit regularly (Elliott Bay Books). For another, it should be old and/or decrepit enough that it’s firmly rooted in the Seattle community (Ivar’s). And it’s got to have that quirky, eclectic vibe that attracts hipsters, intellectuals and weirdos alike (King’s Hardware or, on the fancier end, anything tied to Ethan Stowell).

The absolute hippest in restaurants, bars and shops rarely endures–especially in Capitol Hill!–but Seattle institutions like these seem to infuse the right amount of hip with something classic. At King’s Hardware, you get the same old beer but you get to play Skee-Ball while you drink it. At Molly Moon’s, you can opt for good ol’ vanilla ice cream–or you can try a scoop of honey lavender.

Maybe that’s why I think Douglas’ restaurant Serious Pie, our chosen lunch spot today, can endure. It takes a classic favorite–brick oven pizza–and places it in a modern industrial setting with appetizers involving kale, pine nuts and carnation sunchokes.

Concert Days

It’s nice to have an outside-of-school choir life again. It means more weekend concerts.

In school, when our end-of-term concerts were on Thursday nights just hours after classes ended, everyone seemed so anxious to get home after the gig to study for finals that there was minimal fun to be had. I missed the days when I could spend my pre-concert Saturdays studying my music, carefully pinning up my hair and nervously warming up while adjusting music folders and dress hems. I missed my in-car warmups on the way to the church/concert hall, bonding with other choir members as we were waiting for the gig to start, and losing track of time in post-concert conversations.

Now I get all of that again.

This afternoon, Seattle Pro Musica is singing a mass at St. James Cathedral on First Hill. My fellow members make excellent company, the cathedral itself is breathtaking, and the music we’re performing couldn’t be better. And soon, concert season will really begin and we’ll be singing holiday repertoire all over the Sound. Yet another reason to love the holidays.

I was reminded of how much I love holiday concerts when I stumbled across a blog post from four Decembers ago. I volunteered to usher at a Cantiamo! Cabrillo concert, mostly to see the group perform for free, and saw old friends who reminded me why I went all the way to Eastern Europe to sing with them:

It had been more than a year since I’d seen Cheryl Anderson or really anyone Cabrillo-Chorus-related, but when I walked into Holy Cross Church at 7:45 last night, I felt like I’d never left. There again were those sparkling blue empire-waist dresses I could never decide whether I liked or loathed; there were those faces I had known so well before, unchanged. I could name every single one of them: Nell, Art, Jenny, Liz (“Hey GLEN!!”, I thought), Colin, Kent, Kathy, Lucy, Sandy,…Trevor?! There was Vlada at the piano, and although I couldn’t see him, I knew John was somewhere above me in the balcony, clad in dark clothing and big headphones. And at the center of the madness, there on the podium, radiant as ever, was the blonde beacon herself.

Nothing changes around here and I love it.

Cabrillo Youth Chorus, circa 2003